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Martha Fleming : arts | sciences | humanities : interdisciplines

The Wilds and The Deep

The Wilds and The Deep: Martha Fleming & Lyne Lapointe, Battery Maritime Ferry Terminal New York City (1990, produced with Creative Time)   At the bottom tip of Manhattan, this large-scale site project explored the origins of museums
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Eat Me / Drink Me / Love Me

Eat Me / Drink Me / Love Me:  The New Museum (New York, with Lyne Lapointe, 1989)   Invited in 1987 by curator Bill Olander to create a work for The New Museum, we devised a project about
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La Donna Delinquenta

La Donna Delinquenta (Montreal, with Lyne Lapointe, 1987)   The abandoned Corona vaudeville theatre was the perfect locus for exploring meeting points between social marginalisation and the society of the spectacle. ‘Technologies of the Self’ met Plato’s Cave
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Le Musée des Sciences

Le Musée des Sciences (Montréal, with Lyne Lapointe, 1984)   This major site-specific installation — a ‘history of the body’ before its time — took place over the entirety of an abandoned beaux arts Post Office Building at
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Projet Building / Caserne #14

Projet Building / Caserne #14, for the abandoned Fire Station 14 (Montreal, with Lyne Lapointe, 1983) The first of our ‘Montreal triptych’ of site-specific projects occupying entire buildings in the 1980s, Projet Building / Caserne #14 took place
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Artforum, Vanguard, Fuse, Afterimage, Live, Body Politic

Until late 1984, I continued to publish in a wide range of art magazines and journals of cultural critique, having served on editorial boards of FUSE, The Body Politic, and Fireweed — magazines with international reach produced in
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Art Metropole Video Distribution

Distribution Manager, Artists’ Videotapes, Art Metropole, Toronto (1979 to 1981)   Under the direction of Peggy Gale, Art Metropole was one of the first organisations in the world to curate, archive and distribute artists’ videotapes. This was a
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Martha Fleming

Martha Fleming has been working in the interdisciplinary nexus between the sciences, the humanities and the fine arts for several decades. She has forged innovative and productive methodological alignments across disciplines as a museum professional, academic and artist. Able to integrate practice and theory in meticulous and rigorous ways, her fields of interest span visual culture, book arts, history of science, public art, biomedicine, astrophysics, design and more. This site features highlights from some of her projects, large and small, and shows how they are related.


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© Martha Fleming : arts | sciences | humanities : interdisciplines