Eat Me / Drink Me / Love Me
Eat Me / Drink Me / Love Me: The New Museum (New York, with Lyne Lapointe, 1989) Invited in 1987 by curator Bill Olander to create a work for The New Museum, we devised a project about
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La Donna Delinquenta
La Donna Delinquenta (Montreal, with Lyne Lapointe, 1987) The abandoned Corona vaudeville theatre was the perfect locus for exploring meeting points between social marginalisation and the society of the spectacle. ‘Technologies of the Self’ met Plato’s Cave
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Le Musée des Sciences
Le Musée des Sciences (Montréal, with Lyne Lapointe, 1984) This major site-specific installation — a ‘history of the body’ before its time — took place over the entirety of an abandoned beaux arts Post Office Building at
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Projet Building / Caserne #14
Projet Building / Caserne #14, for the abandoned Fire Station 14 (Montreal, with Lyne Lapointe, 1983) The first of our ‘Montreal triptych’ of site-specific projects occupying entire buildings in the 1980s, Projet Building / Caserne #14 took place
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Artforum, Vanguard, Fuse, Afterimage, Live, Body Politic
Until late 1984, I continued to publish in a wide range of art magazines and journals of cultural critique, having served on editorial boards of FUSE, The Body Politic, and Fireweed — magazines with international reach produced in
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Art Metropole Video Distribution
Distribution Manager, Artists’ Videotapes, Art Metropole, Toronto (1979 to 1981) Under the direction of Peggy Gale, Art Metropole was one of the first organisations in the world to curate, archive and distribute artists’ videotapes. This was a
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