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Split + Splice
Split + Splice: Fragments from the Age of Biomedicine, Exhibition Creative Director, Medical Museion, University of Copenhagen (2008 to 2009) Creation and production of this Dibner Award winning show about contemporary biomedicine; leading a team of four
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Atomism & Animism
Atomism & Animism, Science Museum, London (1997 to 1999) This museum-wide collection interpretation project was the fruit of my two-year research residency at the Science Museum. The exhibition was created with some 130 objects, disposed in 16 installations
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The Spirit and The Letter and The Evil Eye
The Spirit and The Letter and The Evil Eye, Bath Festivals Trust ‘WellSpring’ (with Lyne Lapointe, 1994) Bookbinding, marbled paper, letterforms, the printed word, eye-hand coordination, amulets, craftsmanship, inkhorns and more all came under scrutiny in this site-specific
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Introduction & Index
Introduction & Index, silkscreened translucent banners and artists’ bookwork (1994): Printed Matter (New York); Artexte@MACM (Montreal); Bath Public Library (UK); Ridington Room, University of British Columbia (Vancouver), C Magazine (Toronto) A meditation on censorship and the power
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The Wilds and The Deep
The Wilds and The Deep: Martha Fleming & Lyne Lapointe, Battery Maritime Ferry Terminal New York City (1990, produced with Creative Time) At the bottom tip of Manhattan, this large-scale site project explored the origins of museums
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La Donna Delinquenta
La Donna Delinquenta (Montreal, with Lyne Lapointe, 1987) The abandoned Corona vaudeville theatre was the perfect locus for exploring meeting points between social marginalisation and the society of the spectacle. ‘Technologies of the Self’ met Plato’s Cave
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Le Musée des Sciences
Le Musée des Sciences (Montréal, with Lyne Lapointe, 1984) This major site-specific installation — a ‘history of the body’ before its time — took place over the entirety of an abandoned beaux arts Post Office Building at
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Projet Building / Caserne #14
Projet Building / Caserne #14, for the abandoned Fire Station 14 (Montreal, with Lyne Lapointe, 1983) The first of our ‘Montreal triptych’ of site-specific projects occupying entire buildings in the 1980s, Projet Building / Caserne #14 took place
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