The Spirit and The Letter and The Evil Eye
The Spirit and The Letter and The Evil Eye, Bath Festivals Trust ‘WellSpring’ (with Lyne Lapointe, 1994) Bookbinding, marbled paper, letterforms, the printed word, eye-hand coordination, amulets, craftsmanship, inkhorns and more all came under scrutiny in this site-specific
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Introduction & Index
Introduction & Index, silkscreened translucent banners and artists’ bookwork (1994): Printed Matter (New York); Artexte@MACM (Montreal); Bath Public Library (UK); Ridington Room, University of British Columbia (Vancouver), C Magazine (Toronto) A meditation on censorship and the power
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The Wilds and The Deep
The Wilds and The Deep, Battery Maritime Ferry Terminal with Creative Time (New York, with Lyne Lapointe, 1990) At the bottom tip of Manhattan, this large-scale site project explored the origins of museums in colonial practice. Next
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Eat Me / Drink Me / Love Me
Eat Me / Drink Me / Love Me: The New Museum (New York, with Lyne Lapointe, 1989) Invited in 1987 by curator Bill Olander to create a work for The New Museum, we devised a project about
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La Donna Delinquenta
La Donna Delinquenta (Montreal, with Lyne Lapointe, 1987) The abandoned Corona vaudeville theatre was the perfect locus for exploring meeting points between social marginalisation and the society of the spectacle. ‘Technologies of the Self’ met Plato’s Cave
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Le Musée des Sciences
Le Musée des Sciences (Montréal, with Lyne Lapointe, 1984) This major site-specific installation — a ‘history of the body’ before its time — took place over the entirety of an abandoned beaux arts Post Office Building in
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Projet Building / Caserne #14
Projet Building / Caserne #14, for the abandoned Fire Station 14 (Montreal, with Lyne Lapointe, 1983) The first of our ‘Montreal triptych’ of site-specific projects occupying entire buildings in the 1980s, Projet Building / Caserne #14 took place
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