Studiolo

Studiolo: The Collaborative Work of Martha Fleming and Lyne Lapointe, a major retrospective exhibition and accompanying book (Musée d’art contemporain de Montréal, Artextes Editions and Art Gallery of Windsor, 1997-1998)   Covering all of our large scale site-specific
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Camberwell College of Art MA in Book Arts

Visiting Tutor, Camberwell College of Arts MA in Book Arts, University of the Arts London (1996 to 2000)   This programme attracts a widely varied group interested in the theory, materiality and potential of the book form –
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Open Book

Open Book: Dulwich Picture Gallery and the Science Museum (1996)   This object exchange between an art museum and a science museum was a meditation on the communicating vases of matter and spirit. I brought together Joshua Reynolds’
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Ruskin School of Drawing and Fine Art, Oxford

Research Residency, Ruskin School of Drawing and Fine Art (1996 to 1998)   The Laboratory at the Ruskin School has been at the forefront of articulating the research activities of artists and making the case for its value.
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Vermont College Distance-Learning MFA Program

Part-Time Faculty and Visiting Artist, Vermont College Master of Fine Arts Program, Montpelier USA (1996 to 2001)   Originally a Visiting Artist to this pioneering low-residency distance learning MFA, I was subsequently invited to be a Part-Time Faculty
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Concordia University MFA Program, Montreal

Lecturer, Critical Theory and Studio Practice, Concordia University Master of Fine Arts Program, Montreal (1995) I created a unique course to teach research skills to MFA students in direct relation to their own studio practice, and gave advanced
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The Spirit and The Letter and The Evil Eye

The Spirit and The Letter and The Evil Eye, Bath Festivals Trust ‘WellSpring’ (with Lyne Lapointe, 1994)   Bookbinding, marbled paper, letterforms, the printed word, eye-hand coordination, amulets, craftsmanship, inkhorns and more all came under scrutiny in this site-specific
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Introduction & Index

Introduction & Index, silkscreened translucent banners and artists’ bookwork (1994): Printed Matter (New York); Artexte@MACM (Montreal); Bath Public Library (UK); Ridington Room, University of British Columbia (Vancouver), C Magazine (Toronto)   A meditation on censorship and the power
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The Wilds and The Deep

The Wilds and The Deep, Battery Maritime Ferry Terminal with Creative Time (New York, with Lyne Lapointe, 1990)   At the bottom tip of Manhattan, this large-scale site project explored the origins of museums in colonial practice. Next
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© Martha Fleming : arts | sciences | humanities : interdisciplines